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An unsigned bulletin keeps the record of what was done to people who were never asked. Across the centuries the bodies of the powerless have been treated as material; to study, to alter, to harvest, to watch. Stolen Bodies lays that record open, down to the line where a name should have been. A short read. Pass it on.
They still can't find who's sending them.
The bulletins keep arriving, unsigned, each dated to a different age, each written as if the ink were still wet in its own century. The fifth one keeps the record of consent that was never given. In every era the powerful have found reasons to treat the powerless as material: something to be studied, altered, harvested, or left untreated on purpose, so that someone else might learn or profit from the watching.
Stolen Bodies moves through the documented record of the body taken without permission; the study that let a sickness run its course, the operations no one agreed to, the cells carried off and sold, the citizens used without ever being told. No lecture. No verdict handed down. Just the record, and the line where a name should have been, and wasn't.
It's built to be read in one sitting and handed to the next person, because there is nothing new under the sun, and the next bulletin is already on its way.
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